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/ˈblɒk ɪn/

Block-in

noun (also verb) · drawing pedagogy

The first stage of a drawing or painting where the subject is reduced to a polygonal envelope of straight lines. The measurable foundation that curves are built on.

Part of the drawing glossary behind the 82 composition overlays every visual artist should know and use.

What it is

A block-in plots a few major points on the subject (top, bottom, widest left, widest right) and connects them with straight lines to produce a polygonal outline that contains the entire subject. Curves and details come only after the block-in is verified. Straight lines are measurable in a way that curves are not — the block-in converts the unmeasurable "is this curve correct" into the measurable "is this polygon correct."

How it works

In the Bargue tradition: plot 6–8 points by sight measurement, connect them with straight lines, verify the polygon's vertices and angles by re-measuring, then begin drawing curves only inside the verified polygon. In atelier teaching, an instructor will often refuse to look at a curve drawing until the block-in beneath it is signed off — the curve is wasted effort if the block-in is wrong.

References

  1. Ryder, Anthony. The Artist's Complete Guide to Figure Drawing. Watson-Guptill (1999). ISBN 0-8230-0303-3. pp. 78–95 on the block-in stage.
  2. Aristides, Juliette. Classical Drawing Atelier. Watson-Guptill (2006). ISBN 0-8230-0657-1.